Top 10 Optekalong Range Lens

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Finding your suitable readers for optekalong range lens is not easy. You may need consider between hundred or thousand products from many store. In this article, we make a short list of the best readers for optekalong range lens including detail information and customer reviews. Let’s find out which is your favorite one.

997 reviews analysed

1. MEKE 16mm T2.2 Large Aperture Manual Focus Prime Low Distortion 4K Mini Cine Lens for Micro Four Thirds M4/3 MFT Compatible with Olympus/Panasonic Lumix Cameras and BMPCC 4K Zcam E2 GH5

MEKE 16mm T2.2 Large Aperture Manual Focus Prime Low Distortion 4K Mini Cine Lens for Micro Four Thirds M4/3 MFT Compatible with Olympus/Panasonic Lumix Cameras and BMPCC 4K Zcam E2 GH5

Feature

2. Sony FE 70-300mm SEL70300G F4.5-5.6 G OSS Lens

Sony FE 70-300mm SEL70300G F4.5-5.6 G OSS Lens

Feature

Description

Size:Lens Only

The full-frame E-mount FE 70-300mm F4.5 – 5.6 G OSS telephoto zoom lens features a state-of-the-art optical design including four aspherical glass elements, two ED (Extra-low Dispersion) glass elements and Sony’s Nano AR coating, which all work together to effectively suppress spherical aberration, distortion, and chromatic aberration. Together with Optical SteadyShot image stabilization, ensures beautiful high-resolution results for both still and video shooting. Hood Type: Round, bayonet type.

3. Canon EF 100-400mm f/4.5-5.6L IS II USM Lens, Lens Only

Canon EF 100-400mm f/4.5-5.6L IS II USM Lens, Lens Only

Feature

Description

Style:Lens Only

Product Description

Compact, high performance L-series super-telephoto zoom makes it ideal for sports and wildlife photography Rotation-type zoom ring allows for more precise composition and excellent balance when handholding Improved zoom torque adjustment ring allows easy setting of zoom tension New Air Sphere Coating (ASC) helps to significantly reduce backlit flaring and ghosting Highly resistant to dust and water, and amazing durability enabling shooting even in harsh conditions

From the Manufacturer

EF 100–400mm f/4.5–5.6L IS II USM

EF 100-400mm f/4.5–5.6L IS II USM

The EF 100–400mm f/4.5–5.6L IS II USM lens delivers a superb combination of cutting-edge performance, compact construction and brilliant resolving power that’s great for sports and wildlife photography. The lens features one fluorite and one super UD element to help provide impressive contrast and resolution with reduced chromatic aberration across the entire zoom range. Canon’s new Air Sphere Coating (ASC) helps significantly reduce backlit flaring and ghosting, while fluorine coatings on the front and rear lens surfaces help lessen smears and fingerprints. A 9-blade circular aperture renders beautiful, soft backgrounds, and a 3 mode (standard, panning and exposure only) Optical Image Stabilizer provides up to 4 steps* of image correction. The new inner focusing AF system helps ensure fast and accurate focus down to 3.2 ft. with a .31x maximum magnification. Usability enhancements include a rotation-type zoom ring with adjustable zoom torque for more precise, customizable zoom performance, a redesigned tripod mount that can be attached and detached without removing the lens from the camera, and an all-new lens hood with a side window that makes it simple to adjust specialty filters–like polarizers–without the need to remove the hood. Ruggedly constructed with advanced dust and water sealing for durability in a range of environments, the EF 100–400mm f/4.5–5.6L IS II USM lens is a stellar performer with refined controls for a wide variety of situations.

*According to CIPA standards (400mm focal length, when using the EOS-1D X).

Specifications
  • Focal Length & Maximum Aperture: 100–400mm 1:4.5–5.6
  • Lens Construction: 21 elements in 16 groups
  • Diagonal Angle of View: 24°–6°10′
  • Focus Adjustment: Inner focus system / USM
  • Closest Focusing Distance: 3.2 ft. / 0.98m
  • Filter Size: 77mm diameter
  • Zoom System: Rotation Type
  • Max Diameter x Length, Weight: Approx. 3.7 x 7.6 in. / 94 x 193mm, Approx. 3.46 lbs. / 1570g (lens only, excluding removable tripod mount) Approx. 3.62 lbs. / 1640g (lens + tripod mount)

Sample Image

MTF Charts
EF 100-400mm f/4.5–5.6L IS II USM
EF 100-400mm f/4.5–5.6L IS II USM
EF 100-400mm f/4.5–5.6L IS II USM
EF 100-400mm f/4.5–5.6L IS II USM
EF 100-400mm f/4.5–5.6L IS II USM
EF 100-400mm f/4.5–5.6L IS II USM

4. Truglo TG70A TG 2X 0.50 Diopter Sight Lens Kit

Truglo TG70A TG 2X 0.50 Diopter Sight Lens Kit

Feature

Description

Truglo range Rover lens kit features:- adjustable rheostat allows for infinite brightness settings- Violet LED- replaceable batteries- included adapters fit 3/8″-32, 3/8″-36 and 7/16″-20. Fits sights by copper John, PSE, spot-hogg, Trophy ridge, Truglo and others””

5. Sony – FE 24-105mm F4 G OSS Standard Zoom Lens (SEL24105G/2)

Sony - FE 24-105mm F4 G OSS Standard Zoom Lens (SEL24105G/2)

Feature

Description

Style:SEL24105G/2

Full-frame 24-105mm F4 g lens for SONY Alpha e-mount Cameras

6. Panasonic Lumix G Lens, 25mm, F1.7 ASPH, Mirrorless Micro Four Thirds, H-H025K (USA Black)

Panasonic Lumix G Lens, 25mm, F1.7 ASPH, Mirrorless Micro Four Thirds, H-H025K (USA Black)

Feature

Description

Size:25MM | Style:Lens Only

A versatile 25mm lens with a natural viewing angle Suitable for a wide variety of occasions (35mm camera equivalent: 50 mm) beautiful background bokeh effect from its large diameter F1.7 aperture super lightweight and compact at only 125G/ 2.05in Length hybrid photography enabled for both photo and HD video recording with quiet and smooth fast action stepping motor focusing takes advantage of lumix mirrorless camera high speed, high precision contrast AF system.

Compatibility:

Blackmagic Design Cinema Camera
Blackmagic Design Micro Cinema Camera
Blackmagic Design Pocket Cinema Camera
Blackmagic Design Pocket Cinema Camera 4K
Digital Bolex D16 MFT Mount
JVC GY-LS300 MFT Mount
Kodak PIXPRO S-1
Olympus Air A01
Olympus OM-D E-M1 Mark II
Olympus OM-D E-M10 Mark II
Olympus OM-D E-M10 Mark III
Olympus OM-D E-M1X
Olympus OM-D E-M5 Mark II
Olympus PEN E-PL8
Olympus PEN E-PL9
Olympus PEN-F
Panasonic AG-AF100A MFT Mount
Panasonic Lumix DC-G9
Panasonic Lumix DC-G95
Panasonic Lumix DC-GH5
Panasonic Lumix DC-GH5S
Panasonic Lumix DC-GX850
Panasonic Lumix DC-GX9
Panasonic Lumix DMC-G6
Panasonic Lumix DMC-G7
Panasonic Lumix DMC-G85
Panasonic Lumix DMC-GF6
Panasonic Lumix DMC-GH4
Panasonic Lumix DMC-GX8
Panasonic Lumix DMC-GX85
YI Technology M1
Z CAM E1
Z CAM E2 MFT Mount
Z CAM E2C MFT Mount.

7. MEKE 25mm T2.2 Large Aperture Manual Focus Low Distortion 4K Mini Cine Lens for Micro Four Thirds Mount Compatible with Olympus Panasonic Lumix Cameras and BMPCC 4K Zcam E2

MEKE 25mm T2.2 Large Aperture Manual Focus Low Distortion 4K Mini Cine Lens for Micro Four Thirds Mount Compatible with Olympus Panasonic Lumix Cameras and BMPCC 4K Zcam E2

Feature

8. 7artisans 7.5mm F2.8 APS-C Manual Fisheye Fixed Lens for Olympus Panasonic Micro Four Thirds MFT M4/3 Cameras – Black with Protective Lens Cap, Lens Hood and Carrying Bag

7artisans 7.5mm F2.8 APS-C Manual Fisheye Fixed Lens for Olympus Panasonic Micro Four Thirds MFT M4/3 Cameras - Black with Protective Lens Cap, Lens Hood and Carrying Bag

Feature

9. Rokinon 12mm F2.0 NCS CS Ultra Wide Angle Fixed Lens for Olympus and Panasonic Micro 4/3 (MFT) Mount Digital Cameras (Black) (RK12M-MFT)

Rokinon 12mm F2.0 NCS CS Ultra Wide Angle Fixed Lens for Olympus and Panasonic Micro 4/3 (MFT) Mount Digital Cameras (Black) (RK12M-MFT)

Feature

Description

Made just for mirrorless mounts is the new Rokinon 12mm f/2.0 NCS CS lens. It is available in Canon EF-M, Fujifilm X, Samsung NX, Sony E and Micro Four Thirds mounts. Its 35mm focal length equivalency for MFT cameras is 24mm, for Canon M cameras it is 19.2mm, and for the other three mounts, 18mm. With an f/2.0 maximum aperture, it is particularly effective in low-light capture and can control shallow depth of field for precise subject focus with pleasing out-of-focus backgrounds. It offers a minimum focus distance of 7.9″. The lens’s impressive optical construction consists of three Extra-low Dispersion elements, one aspherical, and one hybrid aspherical element. The nano-crystal coating is applied to the inner surface of the two front-most lens elements to minimize ghosting and flare and improve overall image clarity. The Rokinon 12mm accepts front filters and provides a 67mm diameter thread.

10. Rokinon Cine CV12M-MFT 12mm T2.2 Cine Fixed Lens for Olympus/Panasonic Micro 4/3 Cameras

Rokinon Cine CV12M-MFT 12mm T2.2 Cine Fixed Lens for Olympus/Panasonic Micro 4/3 Cameras

Feature

Description

Made just for mirror less cameras is the new Rokinon 12mm T2.2 NCS CS Ultra Wide Angle Cine Lens. Its 35mm focal length equivalency for Olympus and Panasonic Micro 4/3 (MFT) Mount Digital Cameras is 24mm. With a T2.2 maximum aperture, it is particularly effective in low-light capture and can control shallow depth of field for precise subject focus with pleasing out-of-focus backgrounds. It offers a minimum focus distance of 7.9″ and its front filter thread accepts 67mm size filters.. The lens’s impressive optical construction consists of three Extra-low Dispersion elements, one aspherical, and one hybrid aspherical element. The nano-crystal coating is applied to the inner surface of the two front-most lens elements to minimize ghosting and flare and improve overall image clarity. As a lens designed for shooting HD video, it offers features that differentiate it from “photo lenses,” which, of course, can also serve to shoot HDSLR video. However, Rokinon Cine lenses have a clickless aperture ring, which is not only silent but enables smooth transitions between stops and the ability to shoot between those stops. Furthermore, it relates aperture in T-stops (Transmission-stops) which is a more accurate measurement of the light entering the lens that actually makes its way to the image sensor and is a more consistent measurement from lens to lens. Additionally, a Cine lens features geared aperture and focus rings to enable the use of focus pull apparatus such as a follow focus system.

Conclusion

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